{"id":297,"date":"2026-10-21T22:18:01","date_gmt":"2026-10-22T02:18:01","guid":{"rendered":"https:\/\/rafaelhett.com\/publications\/"},"modified":"2026-10-21T23:17:56","modified_gmt":"2026-10-22T03:17:56","slug":"publications","status":"publish","type":"page","link":"https:\/\/rafaelhett.com\/pt\/publications\/","title":{"rendered":"publications"},"content":{"rendered":"

Peer-Reviewed\u00a0Articles:<\/h4>\n\n\n\n
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Throughout\u00a0the\u00a0narrative,\u00a0Balzac\u00a0often\u00a0uses\u00a0the\u00a0discourse\u00a0of\u00a0fashion\u00a0to\u00a0signal\u00a0the\u00a0protagonist\u2019s\u00a0lack\u00a0of\u00a0belonging\u00a0within\u00a0the\u00a0new\u00a0social\u00a0order.\u00a0Furthermore,\u00a0he\u00a0creates\u00a0a\u00a0timeless\u00a0narrative\u00a0by\u00a0exploring\u00a0the\u00a0fragility\u00a0of\u00a0identity\u00a0formation\u00a0within\u00a0a\u00a0highly\u00a0unstable\u00a0society<\/strong>.<\/strong><\/p>\n\n\n\n

\u2013 In: Dos Santos, R. F.<\/strong>, & Machado, M. G. S. \u00ab\u00a0As interfaces entre moda e literatura em O Coronel Chabert de Honor\u00e9 de Balzac\u00a0le Colonel Chabert<\/em><\/a>\u00a0\u00bb. Lettres Fran\u00e7aises (UNESP Araraquara), 18<\/em>, 247\u2013261.<\/p>\n<\/blockquote>\n\n\n\n

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The\u00a0intertextual\u00a0relationship\u00a0with\u00a0the\u00a0creation\u00a0myth\u00a0as\u00a0conceived\u00a0in\u00a0classical\u00a0Greek\u00a0mythology,\u00a0despite\u00a0the\u00a0existence\u00a0of\u00a0a\u00a0corresponding\u00a0myth\u00a0in\u00a0traditional\u00a0Japanese\u00a0mythology,\u00a0as\u00a0well\u00a0as\u00a0the\u00a0figure\u00a0of\u00a0Yoshiko\u00a0as\u00a0a\u00a0subversion\u00a0of\u00a0the\u00a0Pandora\u00a0myth,\u00a0will\u00a0be\u00a0explored\u00a0in\u00a0the\u00a0following\u00a0sections.\u00a0These\u00a0elements\u00a0form\u00a0the\u00a0thread\u00a0that\u00a0sets\u00a0the\u00a0narrative\u00a0in\u00a0motion\u00a0and\u00a0point\u00a0to\u00a0the\u00a0significant\u00a0connections\u00a0between\u00a0Cuenca\u2019s\u00a0narrative\u00a0and\u00a0various\u00a0other\u00a0elements\u00a0of\u00a0Greco-Roman\u00a0and\u00a0Japanese\u00a0cultures.<\/strong><\/p>\n\n\n\n

\u2013 In: Dos Santos, R. F.<\/strong>, & Ourique, J. L. P. \u00ab\u00a0Minotauro vs. Godzilla: sincretismos greco-nip\u00f4nicos em O \u00fanico final feliz para uma hist\u00f3ria de amor \u00e9 um acidente, de Jo\u00e3o Paulo Cuenca<\/a>\u00a0\u00bb. Revista Olho d\u2019\u00e1gua<\/em>, 10, 79\u201391.<\/p>\n<\/blockquote>\n\n\n\n

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The\u00a0person\u00a0who\u00a0died\u00a0by\u00a0suicide\u00a0was\u00a0not\u00a0necessarily\u00a0desperate\u00a0or\u00a0mentally\u00a0ill,\u00a0as\u00a0is\u00a0commonly\u00a0believed\u00a0in\u00a0the\u00a0West.\u00a0On\u00a0the\u00a0contrary,\u00a0their\u00a0death\u00a0could\u00a0restore\u00a0the\u00a0balance\u00a0of\u00a0on\u00a0and\u00a0preserve\u00a0the\u00a0perfection\u00a0of\u00a0their\u00a0soul\u00a0and\u00a0memory,\u00a0without\u00a0major\u00a0consequences\u00a0for\u00a0the\u00a0greater\u00a0existential\u00a0order,\u00a0in\u00a0which\u00a0the\u00a0earthly\u00a0realm\u00a0is\u00a0nothing\u00a0more\u00a0than\u00a0a\u00a0trivial\u00a0transience.<\/strong><\/p>\n\n\n\n

\u2013 In: Dos Santos, R. F.<\/strong>, & Sparemberger, A. (2018).\u00a0\u00ab\u00a0Da Indissociabilidade entre literatura e sociedade a partir de ‘Patriotismo’ (1961) de Mishima Yukio<\/a>\u00a0\u00bb.\u00a0Estudos Japoneses<\/em>, 39, 93\u2013107.<\/p>\n<\/blockquote>\n\n\n\n

Book chapters:<\/h4>\n\n\n\n
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To\u00a0address\u00a0subcultures\u00a0is\u00a0always\u00a0to\u00a0speak\u00a0of\u00a0a\u00a0society\u00a0in\u00a0tension,\u00a0under\u00a0such\u00a0pressure\u00a0that\u00a0the\u00a0need\u00a0for\u00a0release\u00a0manifests\u00a0itself\u00a0in\u00a0radical\u00a0ways,\u00a0drawing\u00a0on\u00a0shock,\u00a0rebellion,\u00a0and\u00a0provocation\u00a0to\u00a0compel\u00a0society\u00a0to\u00a0question\u00a0itself<\/strong>y<\/strong>.<\/strong><\/p>\n\n\n\n

\u2013 In: Hett, R<\/strong>.\u00a0As subculturas da moda japonesa como um ato de resist\u00eancia<\/a>, p. 361-385. In A. Avancini, M. Hashimoto Cordaro, & M. Okano (Eds.), Ecos de cat\u00e1strofes<\/em>. S\u00e3o Paulo: GEAA.<\/p>\n<\/blockquote>","protected":false},"excerpt":{"rendered":"

Peer-Reviewed\u00a0Articles: Throughout\u00a0the\u00a0narrative,\u00a0Balzac\u00a0often\u00a0uses\u00a0the\u00a0discourse\u00a0of\u00a0fashion\u00a0to\u00a0signal\u00a0the\u00a0protagonist\u2019s\u00a0lack\u00a0of\u00a0belonging\u00a0within\u00a0the\u00a0new\u00a0social\u00a0order.\u00a0Furthermore,\u00a0he\u00a0creates\u00a0a\u00a0timeless\u00a0narrative\u00a0by\u00a0exploring\u00a0the\u00a0fragility\u00a0of\u00a0identity\u00a0formation\u00a0within\u00a0a\u00a0highly\u00a0unstable\u00a0society. \u2013 In: Dos Santos, R. F., & Machado, M. G. S. \u00ab\u00a0As interfaces entre moda e literatura em O Coronel Chabert de Honor\u00e9 de Balzac\u00a0le Colonel Chabert\u00a0\u00bb. Lettres Fran\u00e7aises (UNESP Araraquara), 18, 247\u2013261. The\u00a0intertextual\u00a0relationship\u00a0with\u00a0the\u00a0creation\u00a0myth\u00a0as\u00a0conceived\u00a0in\u00a0classical\u00a0Greek\u00a0mythology,\u00a0despite\u00a0the\u00a0existence\u00a0of\u00a0a\u00a0corresponding\u00a0myth\u00a0in\u00a0traditional\u00a0Japanese\u00a0mythology,\u00a0as\u00a0well\u00a0as\u00a0the\u00a0figure\u00a0of\u00a0Yoshiko\u00a0as\u00a0a\u00a0subversion\u00a0of\u00a0the\u00a0Pandora\u00a0myth,\u00a0will\u00a0be\u00a0explored\u00a0in\u00a0the\u00a0following\u00a0sections.\u00a0These\u00a0elements\u00a0form\u00a0the\u00a0thread\u00a0that\u00a0sets\u00a0the\u00a0narrative\u00a0in\u00a0motion\u00a0and\u00a0point\u00a0to\u00a0the\u00a0significant\u00a0connections\u00a0between\u00a0Cuenca\u2019s\u00a0narrative\u00a0and\u00a0various\u00a0other\u00a0elements\u00a0of\u00a0Greco-Roman\u00a0and\u00a0Japanese\u00a0cultures. \u2013 In: Dos Santos, R. F., & Ourique, J. L. P. \u00ab\u00a0Minotauro vs. Godzilla: sincretismos greco-nip\u00f4nicos em O \u00fanico […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-297","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/rafaelhett.com\/pt\/wp-json\/wp\/v2\/pages\/297","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/rafaelhett.com\/pt\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/rafaelhett.com\/pt\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/rafaelhett.com\/pt\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/rafaelhett.com\/pt\/wp-json\/wp\/v2\/comments?post=297"}],"version-history":[{"count":27,"href":"https:\/\/rafaelhett.com\/pt\/wp-json\/wp\/v2\/pages\/297\/revisions"}],"predecessor-version":[{"id":325,"href":"https:\/\/rafaelhett.com\/pt\/wp-json\/wp\/v2\/pages\/297\/revisions\/325"}],"wp:attachment":[{"href":"https:\/\/rafaelhett.com\/pt\/wp-json\/wp\/v2\/media?parent=297"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}